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Backing Band The Skatalites スカタライツ 主な活動地:ジャマイカ 主な活動時期:1960年代 ジャンル:1st wave(オリジナル・スカ) スカの代名詞として、スカを語る上では外せないバンド。 オリジナルメンバーでの活動は、1963年結成、1965年解散。当時は「The Ska-Talites」のクレジットで活動していた。 1975年と1983年に再結成。メンバーチェンジを経て、現在は各国でのライブやアルバム制作など、精力的に活動中。 Studio 1?所属シンガーのバック・バンドであり、録音した楽曲は600曲以上である。 Bob Marley?が初めてレコーディングした際、演奏を担当したのはスカタライツであった。 有名な曲 Guns of Navarone(Roland Alphonso? The Skatalites) Eastern Standard Time(Don Drummond The Skatalites) Latin Goes Ska Don De Lion? Lucky Seven(Baba Brooks? The Skatalites) 現在のメンバー Lloyd Knibb?(ドラムス?) Doreen Shaffer?(ボーカル) Lester Sterling?(アルト・サックス) Karl Bryan?(アルト・サックス、テナー・サックス) Cedric Im Brooks?(テナー・サックス) Vin Gordon? (トロンボーン/Don Drummond Jr.) Devon James?(ギター) Ken Stewart?(キーボード?) Kevin Batchelor?(トランペット) Val Douglas?(ベース) オリジナル・メンバー Tommy McCook(テナー・サックス) Rolando Alphonso?(テナー・サックス、アルト・サックス、ソプラノ・サックス) Lester Sterling?(アルト・サックス) Don Drummond(トロンボーン) Johnnie Moore?(トランペット) Jackie Mittoo?(キーボード?) Jah Jerry?(ギター) Lloyd Brevett?(ベース) Lloyd Knibb?(ドラムス?) Jackie Opel?(ボーカル) Doreen Shaffer?(ボーカル) 関わりの深いミュージシャン レコーディングに参加したり、ライブでのサポート演奏を行ったアーティスト。 Ernest Ranglin?(ギター) Lyn Taitt?(ギター) Gladstone Anderson?(キーボード?) Lloyd Richard Ace Richards?(キーボード?) Cecil Lloyd?(キーボード?) Aubrey Adams?(キーボード?) Rico Rodriguez?(トロンボーン) Baba Brooks?(トランペット) Raymond Harper?(トランペット) Percival Rupert Dillon?(トランペット) Larry McDonald?(コンガ?) Noel Scully Simms?(パーカッション) Robert Bobby Gaynair?(テナー・サックス) Stanley Ribbs?(テナー・サックス) Sammy Ismay?(テナー・サックス) Dennis Campbell?(テナー・サックス) Tony DaCosta?(ボーカル) Lord Tanamo(ボーカル) プロデューサー Coxson Dodd? Duke Reid? Prince Buster Justin Yap? Victor Randy Chin? King Edwards? Lyndon O. Pottinger? Leslie Kong? バイオグラフィー 結成前 Tommy McCook、Don Drummond、Johnnie Moore?、Lester Sterling?はAlpha Boys Schoolの卒業生であった。卒業後は、観光客相手のホテルなどでの演奏活動(R Bやジャズのカバーがメイン)をしていた。 Lloyd Knibb?, Johnnie Moore?, Jackie Mittoo?がThe Sheiks?というバンドで活動していた。 1963年 The Sheiks?が、バンド名をThe Cavaliers Orchestra?に改名。同時期に、3人は新たなバンドを立ち上げようと試み、メンバーを集める。 6月、音楽プロデューサー?のCoxsone Doddが、自らのレーベル・Studio 1?のバックバンドとしてメンバーを集める。 1964年 6月、The Ska-talitesとして活動を開始。 初のLP盤『Ska Authentic』をStudio 1?で録音。 1965年 1月、メンバーのDon Drummondが投獄される。彼のガールフレンド(Anita Marguerita Mahfood)の殺人容疑で有罪と判決され、Bellevue Asylum(ベルヴュー収容所)で留置される。 8月、解散。The Skatalitesとして最後のショーを行う。 解散後、Roland Alphonso?、Johnnie Dizzie Moore?、Jackie Mittoo?、Lloyd Brevett?はStudio 1?に残りSoul Brothers?(後のSoul Vendors?)を結成。 Tommy McCookとDon Drummondは、Roland Alphonso?との確執により、Studio 1?と敵対関係にあるレーベル・Treasure Isle?へと移籍。Tommy McCookはSupersonics?を結成。 Lester Sterling?はプロデューサー・ Sir Clancy Collins?の元へ。 1969年 刑務所内でDon Drummondが他界。 1975年 Lloyd Brevett?の呼びかけにより、再結成に向けたセッションがBlack Ark Studio?とAquarius?で行われる。 このセッションはKing Tabby?が関わり、1976年に『Herb Dub, Collie Dub』『Legendary Skatalites in Dub』としてリリースされる。 1983年 再結成。7月にモンテゴ・ベイ?で行われたイベントReggae Sunsplash Festival?を皮切りに、ジャマイカでライブ活動を再開するようになる。 1985年 メンバーがアメリカに移住。アメリカ北東部でライブ活動を始める。 1989年 4月、Bunny Wailer?のバックバンドとして世界ツアーをまわる。初来日も果たす。 1990年 ツアーではじめてアメリカ国内をまわる。 Prince Busterのバックバンドとして世界ツアーをまわる。 12月、Jackie Mittoo?がガンにより他界。 1992年 ツアーではじめてヨーロッパ国内をまわる。 当時の大統領であったPJ PattersonがThe Skatalitesのファンであったこともあり、独立記念日の祭典で演奏を行う。 1996年 1月、アルバム『Hi-Bop Ska』がグラミー賞の「Best Reggae Album」部門にノーミネートされる。 1997年 1月、アルバム『Greetings From Skamania』がグラミー賞の「Best Reggae Album」部門にノーミネートされる。 1998年 5月、Tommy McCookが他界。 11月、Rolando Alphonso?が他界。 2002年 初のワールドツアー開催。アメリカ、ヨーロッパ、メキシコ、ベネズエラ、プエルトリコ、ロシア、日本をまわる。 2008年 8月、Johnny Moore?が他界。 現在 各国でのライブやアルバム制作など、精力的に活動中。 結成時からのメンバーの中では、Lester Sterling?とLloyd Knibb?が現在も活動中。 客観的評価 1964年6月20日 ジャマイカThe STAR誌より "The hottest Ska group in town is the Ska-talites. Last Sunday at Bournemouth was the likes of which you ve never seen, with grown men prostrate at the tuffness of the sounds." (町で最も熱いスカ・グループはSka-talitesである。この前の日曜は、ボーンマス(=イギリスの地名)でメンバーが、これまでに見たことのないタフな音で人々を圧倒していた。) 1988年4月8日 ニューヨーク・タイムズ誌より "The Skatalites were essential in the transformation of Ska -- with its obvious connection to the United States and its high speed tempos -- into Reggae." (The Skatalitesはスカがレゲエへと変形するのに不可欠な存在だった。スカはアメリカとの明白なつながりとスカのテンポの速さを持っていた。) 1994年2月24日 ローリング・ストーン誌より "Even before they became a band, the members of The Skatalites were already trendsetters on the Jamaican music scene." (バンドとして活動する以前から、The Skatalitesのメンバーは既にジャマイカ音楽の流行仕掛け人であった。) 1994年10月18日 ビルボード誌より "The Skatalites, Jamaica s supreme instrumental band." (The Skatalitesは、ジャマイカが生んだ最高のインストバンドである。) 1997年12月25日 ローリング・ストーン誌より "The Skatalites - Jamaica s answer to the Motown house band and Booker T. and the MG s combined" (The Skatalitesは、1960~70年代アメリカのソウル系のレーベルに対する、ジャマイカの回答である。) Similer Artist (Sort by Last-FM) The Specials? Desmond Dekker? Roland Alphonso? The Toasters? The Slackers? Don Drummond The Ethiopians Prince Buster Similer Artist (Sort by MP3.com) Desmond Dekker? The Specials? Don Drummond Revolutionaries? Rico? Roland Alphonso? YouTube撰 Guns Of Navarone 【2003】live at Glastonbury Festival http //www.youtube.com/watch?v=xHxEijSG7fg Latin Goes Ska 【1984】Splashin The Palace, London, UK http //www.youtube.com/watch?v=deA97R7uls0 動画をもっと見る Albums 1974 Best of Ska-Talites 1976 The Legendary Skatalites 1983 Celebration Time 1984 Live At Sunsplash 1984 With Sly & Robbie & Taxi Gang●詳細調査中 1984 Return of the Big Guns 1984 Scattered Lights 1987 Stretching Out 1988 Ska-Ta-Shots 1989 Mood For Ska 1989 Skagroove In Japan 1993 Ska Voovee 1993 McCooke s Book Ska 1993 World Famouska 1994 Liberation Ska●詳細調査中 1994 Hi-Bop Ska 1996 Greetings from Skamania 1997 Ball of Fire 1997 Freedom Sounds A Tribute to the Skatalites 1998 Latin Goes Ska 1998 The Skatalites And Don Drummond 1998 Ska Ra Van Top Sounds From Top Deck, Vol. 1 1998 Ska Boo-Da-Ba Top Sounds From Top Deck, Vol. 3 1998 Ska-ta-shot Top Sounds From Top Deck, Vol. 4 1998 Ska-Tola Top Sounds From Top Deck, Vol. 5 1998 Ska-Lternative Top Sounds From Top Deck, Vol. 6 1998 Sings Songs Ska Top Deck, Vol. 7 1998 Ska Non Stop Top Deck, Vol. 8 1999 Musical Communion 2000 Bashaka 2001 Nucleus of Ska 2001 Guns of Navarone 2002 From Paris With Love 2003 Ska Down Jamaica Way Vol.1 Ska Boo Da Ba 2004 In The Mood For Ska 2005 Kingston 11 2006 The Skatalites In Orbit,Vol.1 2006 Roots Party 2006 Le World...Ska...Skatalites 2007 On the Right Track 2007 Play Ska Collaborations 1964 Ska Authentic The Skatalites(Various Artist) 1965 This Is Jamaica Ska Various Artist 1965 The Skatalites Plus The Skatalites(Various Artist) 1967 Ska Authentic, Vol.2 Various Artist 1969 The Skatalite! Tommy McCook The Skatalites 1975 Heroes of Reggae Dub The Skatalites King Tubby? 1978 African Roots Lloyd Brevette? with The Skatalites 1989 Skatakites Featuring Jackie Opel The Skatakites, Jackie Opel? 1992 Skament Movement Lord Tanamo with The Skatalites 1993 A Tribute to the Skatalites Don Drummond,Baba Brooks?,Tommy McCook 1993 Hog in a Cocoa The Skatalites Friends 1996 Foundation Ska The Skatalites(Various Artist) 1998 Skatalites & Friends At Randy s The Skatalites Friend 1999 Tribute To Tommy The Best Of Tommy McCook And The Skatalites Tommy McCook The Skatalites 1999 Jazz in Jamaica Various Artist 1999 The Clash of The Ska Titans Laurel Aitken? The Skatalites 2000 Trilogy The Skatalites Friends 2001 Herb Dub, Collie Dub The Skatalites King Tubby? 2001 Legendary Skatalites in Dub The Skatalites King Tubby? 2001 Guns of Navarone The Best of the Skatalites The Skatalites(Various Artist) 2002 Lucky Seven The Skatalites(Various Artist) 2002 The Long Hot Summer Laurel Aitken? with The Skatalites 2002 More Celebration Time The Skatalites(Various Artist) 2002 Ska Splash The Skatalites Friends 2004 Phoenix City The Skatalites Friends 2006 Independent Ska The Skatalites(Various Artist) 2007 Anthology The Skatalites(Various Artist) **** The Birth Of Ska Various Artist As Backing Band 196* Dancing Mood? Delroy Wilson 1998 A Love To Share Top Sounds From Top Deck, Vol. 2 Jackie Opel? - Ferdie Nelson? Compilations 1980 Club Ska 67? 1991 Ska Bonanza The Studio One Ska Years 1997 Ska Island 2000 Ska Stock-Tribute To The Skatalites 7inch Ska Mania Wood And Water? 出典 公式サイト 参考リンク all music excite!Music Last FM Japan Last FM Listen!Japan mixi「skatalites」 mixi「ザ・スカタライツ」 mixi「The Skatalites」] mp3.com My Space oops wikipedia 英語版「The Skatalites」 wikipedia 日本語版「スカタライツ」
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【登録タグ DESTINE ASH/Love Love Scarlet L U.N.オーエンは彼女なのか? イノライ 怜花 恋色マスタースパーク 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Market Scenario The anticipated global OTT content market size is expected to cross USD 551.75 billion by the end of the present forecast years. The current growth rate for the market in the present forecast years is recorded to be a CAGR of 17.9%. The OTT content services are a revolutionary substitute for older traditional telecommunication methods. The OTT term is defined as the mode of facilitating digital content over the internet without the use of any set-top box or cable subscription. It means that one doesn’t need to subscribe to any kind of cable TV subscription to enjoy its contents. The OTT services, in a nutshell, consist of television, telephony, SMS and others. The audience across the world is now switching from cable subscriptions to OTT subscriptions for its easy accessibility with just the internet. Thus, the demand pace is increasing at a rapid scale. With OTT picking up the trends, the content personalization concept has grown substantially. Hence, it is a data drive approach that promotes content creation for launching them over dedicated platforms. For a long time in the past, the impersonalized content ruled the entertainment arena, but not anymore. Such contents are now outdated and boring, for which OTT is escalating to the next levels. The demand is not specific to any country or region but is worldwide. The content personalization over the platforms is created with the taste and choices of the intended audience. Based on the viewing preferences, the platforms decide upon creating content or posting the ones they think would interest the viewers. Thus, this report is a brief reflection on the overall growth potential of this entire market. The market segmentation here highlights the fundamental elements that are put together for collective utilization. With the reputation amidst the young world, the regional analysis highlights the worldwide exposure of the OTT market, which explains the predictability of high market size in the present forecast years. Following that, the industry news upon select key players also explains the urge of the collective market to make the market thrive. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2912 Browse Full Report @ https //www.marketresearchfuture.com/reports/over-the-top-content-market-2912 Over The Top Content Market - Competitive Analysis With the entry of new industry players in over-the-top content market segment, a trend of solid, volume-driven growth has been observed in the market with the addition of new and advanced content types in the segment. Companies are aiming to capture solidify their share of the market segment, by competing and experimenting with various advantage points. The best long-term growth opportunities for this sector can be captured by ensuring quality content delivery and financial flexibility to invest in the optimal strategies. Effective planning is essential in terms of business development so as to gain maximum returns on investment. The prominent players in over the top content market are – Apple, Inc. (U.S.), Facebook (U.S.), Google, Inc. (U.S.), Netflix, Inc. (U.S.), Tencent Holdings Limited (China), ActiveVideo Networks, Inc. (U.S.). Other important players in the market are Brightcove Inc. (Boston,USA), Hulu LLC. (Santa Monica), Microsoft Corporation (U.S.), Nimbuzz (Netherlands), Limelight Networks, Inc. (India), Roku, Inc. (USA), among others. Over The Top Content Market – Segments Based on the content type segmentation, the global OTT market is categorized into various types of content posted over dedicated platforms. The types include VoIP, Videos and Images. Based on the deployment type segmentation, the global OTT market acts upon a couple of deployment systems, including cloud and on-premise deployment. Over The Top Content Market - Regional Analysis The regional analysis of Over-The-Top Content Market is being studied for regions such as Asia Pacific, North America, Europe and Rest of the World. It has been observed that North America would dominate the over-the-top content market owing to factors such as high speed connectivity and presence of well-established content providers in that region. Asia Pacific over-the-top content market is expected to show a positive growth over the forecast period owing to factors such as rise in OTT content providers. Latest Industry News With all of the possibilities in OTT entertainment systems, the subscription amounts are also supposed to be fair at all times. Recently, Google, Netflix and a few other platforms were fined for upgrading to unfair subscription amounts. The companies are working on neutralizing this drawback! 14 Nov 2017 The startup Philo has received $25 million in funding from five cable programming groups. Following the investment Philo has launched an over-the-top skinny TV bundle that strips out expensive broadcast and sports networks. Nov 2017 HBO has launched an over-the-top subscription streaming service in parts of Central Europe. This move will allow its viewers in Hungary, Romania, the Czech Republic and Slovakia to stream HBO programming alongside HBO Europe’s local content and will not require users to have a pay TV subscription. October 2017 DirecTV, the satellite TV business owned by AT T the company is preparing to release a set-top box that will deliver content entirely by way of the Internet, instead of satellite, with Google’s Android TV software serving to power the box. 8 September 2016 Quiptel Hong Kong Limited, the video streaming technology company has been acquired by Falcon Acquisitions Plc which is strategically focused on the over-the-top (“OTT”) market. Similar Report***** Fixed-Mobile Convergence (FMC) Market By Convergence Type (Device Convergence, Network Convergence and Application Convergence), Mode (Single-mode and Dual-mode), Component (Infrastructure and Service) Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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https://w.atwiki.jp/touhoukashi/pages/405.html
【登録タグ O SYNC.ART'S ソラとトキと二色のチョウ 大空魔術 ~ Magical Astronomy 曲 珠梨】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/meet-artproject/pages/18.html
Meet! 2011 15. Oktober - 05. November 2011 Kulturetage im SofaLoft Jordanstrasse 26, 30173 Hannover Three most important things "Food" "Clothing" " Shelter" Our basic needs - they are real. We are exploring their existence, asking ourselves how contemporary art discusses and realizes the essential issues. We are going to present answers to our question in this year s art project "Meet!2011", an international exhibition including several related events. We are looking for interesting contributions from all forms and genres art may offer, including literature and music. Participation An art group from Hanover, Germany, has brought "Meet!" into being but other artists are invited to join the project and participate in the exhibition and accompanying events. The Meet! hosts will view tendered art works and/or concepts and chose further contributions. Application Form Meet! is an art project brought into life by an art group from Hanover. Other artists are, however, invited to participate in the project as well. The hosts will carefully view handed-in works concepts and chose further contributions. Conditions of participation Artists from all over the world are invited to hand in their concepts or works from any genre or form art may offer - including music and literature. The delivery of a complete application form in due time(deadline is the 1st August 2011) is a prerequisite for the participation. Until the 15th August 2011 the hosts will chose and inform the participating contributors. Please e-mail or mail us your applications, containing the application form, including personal data and up to three works/concepts visual material of the work(s) in the form of photos (not exceeding the A4 format, limited to ten photos) or a DVD (not exceeding ten minutes) a short description of the work/concept (not exceeding half a page) including some explanations of the original idea or intention behind it. Incomplete applications cannot be regarded. Application Form #ref(Aplicationformmeet2011.pdf) Mail to Meet! 2011 Kesselstraße 17 30453 Hannover Germany E-Mail to meet.artproject@gmail.com (JPG, PDF, TIFF or GIF not exceeding 5 MB) Organization Meet!2011 takes the responsibility and covers the costs to print invitation cards and posters and promote the project. Meet!2011assures that an insurance covers all participating works for the duration of the exhibition. The artists will cover the costs of – and take full responsibility for – the transport of his/her works. The artist will make sure that his/her work(s) arrive(s) in due time before the beginning of the exhibition and is picked up afterward (precise dates will be announced along with the confirmation of participation). Copyright (c) Meet! 2011 All Right Reserved
https://w.atwiki.jp/touhoukashi/pages/4364.html
【登録タグ S あさな イオシス 感情の摩天楼 ~ Cosmic Mind 曲 東方銀晶天獄】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5607.html
【登録タグ tags(https //www.nicovideo.jp/watch/sm30312055 s Seeker of Love ハルトマンの妖怪少女 大西あみみ DualCore. )】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mainichi-matome/pages/6459.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Tabloid Tidbits Woman stabs future father-in-law over misread marriage oppositionタブロイドとっておき: 結婚に反対されたと誤解して、女性が未来の義父を刺す 参考資料 拡散状況 関連ページ Tabloid Tidbits Woman stabs future father-in-law over misread marriage opposition タブロイドとっておき: 結婚に反対されたと誤解して、女性が未来の義父を刺す 元記事(削除済み):http //mdn.mainichi.jp/culture/waiwai/news/20080419p2g00m0dm003000c 0 Tabloid Tidbits Woman stabs future father-in-law over misread marriage opposition 2008,4,20 Yukan Fuji 4/15 By Ryann Connell タブロイドとっておき: 結婚に反対されたと誤解して、女性が未来の義父を刺す 2008,4,20 夕刊フジ4/15 ライアン・コネル記 1 A woman is now facing an attempted murder charge after she stabbed her fiance s father because she felt he opposed her marriage plans, only to learn the man was happy to see his son tie the knot, Yukan Fuji (4/15) reports. ある女性が、フィアンセの父親に彼女の結婚の予定を反対されたと感じたために――ところが父親は息子が結婚することを喜んでいたのだった――父親を刺した件で、殺人未遂容疑での告発にいま直面している。夕刊フジ(4/15)より。 2 Arrested was unemployed 27-year-old Yukie Kondo, who is accused of stabbing the 73-year-old father of her 37-year-old fiance. 逮捕されたのは27才・無職の近藤幸恵で、37才のフィアンセの73才の父親を刺したことで告発された。 3 Kondo admits to the allegations, saying she attacked the old man during a drunken fit because she thought he was going to speak out against her plans to marry his son. 近藤は容疑を認め、息子と結婚するという彼女の予定を父親が強烈に非難しようとした、と彼女が思ったために、この老人を酔った勢いで攻撃した、と言っている。 4 "Both my fiance s parents had told me off before about how bad my housework was, so I figured they were opposed to our marriage," Kondo told the police. 「私のフィアンセの両親は以前、私の家事の仕方がとても悪いと、私を叱ったことがあったので、彼らは私たちの結婚に反対していた、と私は思いました」と近藤は警察に語る。 5 Unfortunately for the suspect, though, she d got it wrong. だが、容疑者にとって不幸なことに、彼女は誤解していたのだ。 6 "There was never anything like that," says Kondo s alleged victim, who sustained serious stab wounds but is expected to make a full recovery. 「そのようなことは全くありませんでした」と報じられているところの近藤の犠牲者はいう。彼は重症の刺し傷を負ったが、全快する見込みである。 7 Yukan Fuji notes that Kondo visited her fiance s home in Sagamihara, Kanagawa Prefecture, and started drinking by herself because her lover wasn t there. After a while, she started screaming at her future in-laws, blasting them for opposing her marriage plans. 夕刊フジが記すには、近藤は神奈川県相模原にある彼女のフィアンセの家を訪れ、彼女の結婚相手が不在だったので、一人で酒を飲み始めた。 しばらくして、彼女は未来の姻戚に対して叫び始め、彼女の結婚の予定に反対しているとかれらを激しく非難した。 8 Despite the elderly couple s protestations, Kondo picked up a knife from the kitchen and drove it into the old man, Yukan Fuji quotes the police saying. (By Ryann Connell) 老夫婦は反論したものの、近藤は台所からナイフを拾い上げ、老人に突き刺した、と夕刊フジは警察の発言を引用する。(ライアン・コネル記) 参考資料 近藤幸恵 http //b.hatena.ne.jp/entry/blog.livedoor.jp/dqnplus/archives/1114335.html 拡散状況 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080420-father_inlaw_stabbed_kanagawa.html Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080420 関連ページ CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles 毎日新聞英語版から配信された記事2008年
https://w.atwiki.jp/handover/pages/27.html
Hiro was in charge of the financial system for many years, but he was ordered to go overseas. He had done handover to successor Kei, but he could not get the time and moved without completing his handover. How to communicate the knowledge that cannot communicate during the handover period? For various reasons, Hiro cannot finish his handover. As for the predecessor and successor contacting each other, the surroundings do not feel it strange. Communicate the knowledge that were unable to communicate in the handover period by phone, e-mail,even after the transfer. Hiro kept in touch with Kei frequently even after he moved. By keeping in touch with Kei, Hiro was able to fill in the part I did not complete during the handover period. Through a Reunion for old members, third parties can encourage their predecessors to implement this pattern. By Secyre an emergency contact, the successor can also prompt the predecessor to execute this pattern. You must be prepared to do this pattern if you are taking time-consuming Incremental handover and Mentor for successor
https://w.atwiki.jp/touhoukashi/pages/2337.html
【登録タグ NJK Record T TOHO EURO FLASH Vol.2 maria♂polo クリスタライズシルバー 曲 無何有の郷 ~ Deep Mountain】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*